What are the threats to an artistic life? Lack of resources, indifference, the overwhelming dull yet titillating distraction Kulchur? Where is support and inspiration coming from? Where is our primary shelter, within academic/alternative communities only? What are we writing? It is choiceless as Robert Creeley insisted? What are our scholarly practices? Who do we study & admire? What is identity? Is the Y chromosome seriously endangered? Is gender an issue for your writing? How does our writing reflect, engage, ignore, subsume or transcend the speed of our technology? Are we agents only? Is only our work affirmative? Are we the neutral elements of that affirmation?
Guest Faculty: Rosa Alcala, Sherwin Bitsui, Aaron Cohick, Samuel R. Delany, Rachel Blau duPlessis, Noah Eli Gordon, Laird Hunt, Rachel Levitsky, Selah Saterstrom & Kristen Nelson.
Gayatri Spivak writes, "One of the ways to get around the confines of one's 'identity' as one produces expository prose is to work at someone's else's title, as one works with a language that belongs to many others." In this class we will discuss the ways in which the practices of translation, multilingualism, and investigation can allow for a complex engagement with "one's 'identity.'"
Rosa Alcalá is the author of two books of poetry, Undocumentaries (2010) and The Lust of Unsentimental Waters (2012), both from Shearsman Books. Spit Temple: The Selected Performances of Cecilia Vicuña (Ugly Duckling Presse, 2012), edited and translated by Alcalá, was runner-up for the 2013 PEN Award for Poetry in Translation. She is also the recipient of a 2015 NEA Fellowship in Translation.
In this workshop, we will create poems by allowing certain shifts in our perspectives to challenge our notions of place and identity. The space we create together will be the ground on which our voices mingle with the present. We will explore how contemporary Indigenous American poetry and perspectives help renew our understanding of our connection to our shared world.
Sherwin Bitsui is the author of Flood Song (Copper Canyon Press) and Shapeshift (University of Arizona Press). He is Dine of the Deer Springs Bitter Water People and is born for the Manygoats People. He is from White Cone, Arizona, on the Navajo Reservation. His honors include the 2011 Lannan Literary Fellowship, a Native Arts & Culture Foundation Fellowship for Literature, a PEN Open Book Award, an American Book Award, and a Whiting Writers Award.
Writing and printing situate text in the world. Broadsides, books, and other text-bearing objects/bodies allow that text to interact with public spaces and groups, both specific & locatable, and dispersed & indeterminate. In this class we will learn and deploy the basic skills of typography, lettering design, letterpress printing, and low-tech relief printmaking to discuss and explore the functions & limits of text operating in the world.
Aaron Cohick is the proprietor of the NewLights Press, a small press focused on the intersection of writing and artists’ publishing. He is also the Printer of The Press at Colorado College, a letterpress studio that creates a cross-disciplinary space inside the liberal arts curriculum. He lives in Colorado Springs, where he co-organizes (with Corie Cole, Marina Eckler, and Noel Black) the Say Hello to Your Last Poem! reading/chapbook series.
This is a workshop in which to explore where things come from and where they are now and the disparities between them. We will read each other’s writing. Each person will have an advocate chosen from the class who will lead a question period about the work, directed toward the writer, her or himself. Texts will also be distributed to aid our conversation.
Samuel R. Delany’s stories are available in Aye, and Gomorrah & Other Stories, and Atlantis: Three Tales. His most recent novel is through the Valley of the Nest of Spiders. His short story Eclipse recently appeared in an issue of Conjunctions. He was the subject of a documentary, The Polymath and is the author of a book about writing.
Two tasks. First: to read and discuss essays by poet-critics that speak to poetry and knowledge (study) and genders and writing. Second: to address root modes of poetic practice. These seem to be "forms" or "genres," but they go deeper: sestina (repetition and variation); ballad (selection and inference); haiku (concision and obliqueness). We will read, then study and practice these modes, with respectful curiosity and understanding.
Rachel Blau DuPlessis Recent work by Rachel Blau DuPlessis includes Surge: Drafts 96-114 (Salt Publishing, 2013), Interstices (Subpress, 2014), and Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley and the Ends of Patriarchal Poetry (University of Iowa Press, 2012), from her trilogy of works about gender and poetics. Forthcoming books are Graphic Novella (Xexoxial Editions) and Days and Works (Ahsahta). DuPlessis edited The Selected Letters of George Oppen (1990) and has written extensively on objectivist poets.
We will transform the ubiquitous practice of list making (to-do lists, grocery lists) into art. We’ll catalog the kinds of sunlight, number the animals, collect words & worlds. Students will be provided a lengthy reader, including lists from Homer to Bernadette Mayer. We will read Brainard’s I Remember aloud, Viegener’s 2500 Random Things About Me Too silently. In making our lists we will remake the world, cross it all out, begin again.
Noah Eli Gordon lives in Denver, CO, and is an assistant professor in the MFA program in creative writing at the University of Colorado at Boulder, where he directs Subito Press. His books include The Word Kingdom in the Word Kingdom, The Year of the Rooster, The Source, and many others.
In this prose fiction workshop we will take up the notion of writing heroes and elective lineage, drawing inspiration from some of my heroes (Creeley, Stein, Ondaatje, Hawkins, Everett, Auster, Sebald, Notley, Davis et al) and yours (come with a page of something great by a writer you love). We will talk and we will write. And in the meantime, keep in mind: “Hoc Opus, Hic Labor Est”!
Laird Hunt, Proud Naropa Writing and Poetics MFA, Laird Hunt is the author of 6 novels including, most recently, Neverhome (Little, Brown, 2014). His writings have appeared in, among many other places, Bookforum, the New York Times, the Daily Beast, the Wall Street Journal, McSweeney’s and the Brooklyn Rail. He teaches at the University of Denver, where he edits the Denver Quarterly.
Can a sentence complete the indeterminate thinking that is the realm of poesis? If so, which one? The fragmentary tapestries of Nourbese Philip, Gail Scott and Bhanu Kapil? the rich language of Leslie Scalapino, Barrett Watten? the locating precision of Renee Gladman, Eileen Myles? the baroque of John Ashbery, Fred Moten? What about Henry James? We will read sentences to find the sentence we need for each of our particular and idiosyncratic practices of writing.
Rachel Levitsky's books include Under the Sun (Futurepoem 2003), NEIGHBOR (UDP 2009), and The Story of My Accident Is Ours (Futurepoem 2013). She is a member of the Belladonna* Collaborative, an officer of the Office of Recuperative Strategies (oors.net) and faculty in the MFA in Creative Writing and Activism at Pratt Institute. She is working on collaborations with Susan Bee, Marcella Durand, Ariel Goldberg and Christian Hawkey.
In this workshop we will consider what conditions must be present in order to best position our multiple selves in the guts of the flux, all while remaining sentient and oriented towards our most pressing work. Through divinatory methods and experiments, we will generate writing and ritual-installations as a way to engage with our biggest questions, as well as deepen our practice and contract with our chosen mediums.
Selah Saterstrom is the author of the novels Slab,The Meat and Spirit Plan, and The Pink Institution, all published by Coffee House Press. Along with HR Hegnauer, she curates Madame Harriet Presents: an occasional performance series. She is the Director of Creative Writing at the University of Denver.
Kristen E. Nelson is the author of Write, Dad (Unthinkable Creatures Chapbook Press, 2012). She has recent work in The Feminist Wire, The Volta, Denver Quarterly, Drunken Boat, Tarpaulin Sky Journal, Dinosaur Bees, Spiral Orb, Glitter Tongue, Trickhouse, In Posse Review, and Everyday Genius, among others. She is a founder and the Executive Director of Casa Libre en la Solana, a non-profit writing center in Tucson, Arizona.